"Wilde's first authentic work...marked the beginning of his true creativity...Wilde's stories are splendid." -Jeanette Winterson
"...partly for children and partly for those who have kept the childlike faculties of wonder and joy."-Jack Zipes
Oscar Wilde's The Happy Prince and Other Stories(1888) is an inscrutable, magical fairy tale collection that has filled readers of all ages with joy and wonder. Each story explores profound truths of love, morality, and suffering; yet there is a poignant beauty that shines through each of these remarkable and timeless tales.
The opening story, "The Happy Prince" is set in a town full of suffering, where a little sparrow who had been abandoned by his flock befriends a gilded statue of a prince who knew no sorrow in his life. The tenderness of their relationship and their empathy towards the ill-fortune of the townsfolk is one of the most touching evocations in all of children's literature; It is also a powerful allegory of inner beauty and the preoccupation with superficiality. The story has been adapted into animated films, radio plays, and a number of musical compositions since its publication.
Another cherished gem within this collection is "The Selfish Giant", one of the most beloved stories in the English literature that tells the tale of a narcissistic giant, his wondrous garden, and the child who transforms his heart. Also included are the stories "The Nightingale and the Rose", "The Devoted Friend", and "The Remarkable Rocket".
With an eye-catching new cover, and professionally typeset manuscript, this edition of The Happy Prince and Other Stories is both modern and readable.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for "gross indecency", imprisonment, and early death at age 46.
Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Trinity College Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles.
As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray(1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London.
At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde had the Marquess of Queensberry prosecuted for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46.