Catherine Gander is Lecturer in American Literature and Visual Culture at Queen's University Belfast
Sarah Garland is Lecturer in American Literature and Visual Culture at the University of East Anglia

Foreword - Miles Orvell
Introduction - Catherine Gander and Sarah Garland
1. A poetics of organic expression: Louis Sullivan's transcendentalist legacy in word and image - Lauren S. Weingarden
2. Photographic studies in the Hawthornes' American note-books - Jessie Morgan-Owens
3. Fragments of the future: Walker Evans's polaroids - Caroline Blinder
4. Cartooning the marvelous: word and image in Chicago Surrealism - Joanna Pawlik
5. 'Twenty-six things at once': Pragmatic perspectives on Frank O'Hara and Norman Bluhm's Poem-Paintings - Catherine Gander
6. 'Being kept in the dark can be a critical gesture': Arakawa and Madeline Gins' Mechanism of Meaning - Sarah Garland
7. 'Then art will change. This is the future': Nancy Spero's manifestary practice - Rachel Warriner
8. Forms of potential: reading Lawrence Weiner - Katie L. Price
9. Testimony by hand: Ann Hamilton's myein - Julie Brown
10. Reading with a knife, or the book art of subtraction: Brian Dettmer and Doug Beube's altered books - Katy Masuga
Envoi - Catherine Gander and Sarah Garland
Index