This book examines Anna of Denmark's engagement with visual and material goods, including architecture, garden design, painting and jewellery. It contextualises the consort's place within the wider socio-political environment of the Stuart courts and provides a comprehensive understanding of her personal iconography, aims, interests and alliances.

Jemma Field is Associate Director of Research at the Yale Center for British Art

Introduction
1 Contexts and networks
2 Court places and spaces
3 Collecting and display
4 Jewellery and apparel
5 Representation and self-fashioning
6 Ritual and ceremonial
Conclusion
Index