Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona

1 Introduction: Costa-Gavras and microhistoriography: the case of Amen. (2002) - Homer B. Pettey
2 Un homme de trop (1967) and Section spéciale (1975): justice unravelled, a tale of two Frances (1941 and 1943) - Susan Hayward
3 Z (1969) and nationalism - Homer B. Pettey
4 The political efficacy of torture in The Confession (1970) - Hilary Neroni
5 Thriller and performance in State of Siege (1972) - Elizabeth Montes Garcés
6 What's missing from Missing (1982) - Thomas Leitch
7 Selim Bakri's quest for a Palestinian identity: Hanna K. (1983) and the Palestinian 'permission to narrate' - Matthew Abraham
8 Family Business (1986) and La Petite Apocalypse (1993) - Jennifer L. Jenkins
9 Betrayed (1988) and the ruptures of race and religion - Ian Scott
10 Music Box (1989): melodramatizing the Hungarian Holocaust - R. Barton Palmer
11 'Make humans the center of everything': a cinema for conscious capitalism: Mad City (1997) and The Ax (2005) - Allen H. Redmon
12 Eden à l'Ouest (2009): border-crossing odyssey and comedy - Isolina Ballesteros
13 Representing the economy and neo-liberal subjectivity in Le Capital (2012) - Mark Bould
Index