Sally Faulkner is Professor of Hispanic Studies and Film at the University of Exeter

Fusing a distinctive feminist aesthetic with a startling vision of twentieth-century Spain, the work of Cecilia Bartolomé casts a new light on the histories of both Spanish national film, and transnational women's cinema.

The Cinema of Cecilia Bartolomé analyses the director's shorts, medium- and feature-length films, television work, as well as her un-filmed scripts. Deploying extensive archive work, the book adopts an auteurist perspective, but nuances it to include speculative approaches to censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film. The volume also includes a new interview with the director, the first to be published in English.

Each text is placed in dialogue with intersectional feminism, including Girlhood Studies (the approach to ¡Vámonos, Bárbara!), political activism (a focus on the diptych documentaries) and race (the framework in which Lejos de Áfricais placed). The book also highlights not only Bartolomé's opposition to dictatorship, but that each text must be placed within the contexts of socio-political developments in Spain.

By focusing on Spanish-language cinema of the 1960s-90s, the period when feminism, like democracy, was reborn and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo, and places Bartolomé among other key auteurs of Spanish and feminist cinema.