The author of more than forty works of fiction, nonfiction, and poetry, which have been translated into over twenty-five languages, BARRY GIFFORD writes distinctly American stories for readers around the globe. From screenplays and librettos to his acclaimed Sailor and Lula novels, Gifford's writing is as distinctive as it is difficult to classify. Born in the Seneca Hotel on Chicago's Near North Side, he relocated in his adolescence to New Orleans. The move proved significant: throughout his career, Gifford's fiction-part-noir, part-picaresque, always entertaining-is born of the clash between what he has referred to as his "Northern Side" and "Southern Side." Gifford has been recipient of awards from PEN, the National Endowment for the Arts, the American Library Association, the Writers Guild of America and the Christopher Isherwood Foundation. His novel Wild at Heart was adapted into the 1990 Palme d'Or-winning film of the same name. Gifford lives in the San Francisco Bay Area.

American Falls is the first major collection of short stories from Barry Gifford, master of the dark side of the American reality. These stories range widely in style and period, from the 1950s to the present, from absurdist exercises to romantic tales, from stories about childhood innocence to novellas of murder and revenge.
In the title story, a Japanese-American motel operator chooses not give up a total stranger, a black man wanted for murder, when the police come searching for him. In "Room 584, The Starr Hotel," a man rants his outrage at an amorous couple in the room next door before he himself is arrested for having committed multiple murders. "The Unspoken" recounts the confessions of a man without a mouth who tells about the woman who loved him. And in this collection's longest fiction, a novella called "The Lonely and the Lost," a small town's talented and colorful inhabitants solve their problems as best they can until it comes time for the devil to reap what they have sown.
Dark and light intermix in masterful chiaroscuro, dark becoming light, light revealing sinister or brooding complexity. No simple endings, only happy beginnings.