Table of Contents
Introduction: On the Other Side(s) of 150 - Linda M. Morra & Sarah Henzi
Section One: Contemporary Counter Memories & Narratives
1. "Recuperating Indigenous Narratives: Making Legible the Documenting of Injustices - Deanna Reder
2. 'I write this for all of you': Recovering the Unpublished RCMP 'Incident' in Maria Campbell's Halfbreed (1973) - Deanna Reder and Alix Shield
3. Telling Harm: Time, Redress, and Canadian Literature - Benjamin Authers
4. Modified Seeds and Morphemes: Going from Farm to Page - Laura Moss
Section Two: Unbecoming Narratives
5. Landscape, Citizenship, and Belonging - Shani Mootoo
6. Untold Bodies: Failing Gender in Canada's Past and Future - Kit Dobson
7. Thresholds of Sustainability: Cassils and Emma Donoghue's Counter Narratives - Libe García Zarranz
8. Unsustainable: Lyric Intervention in Vivek Shraya's even this page is white - Erin Wunker
9. Untold Stories of Slavery: Performing Pregnancy and Racial Futurity in Beatrice Chancy - Kailin Wright
10. Authors and Archives: The Writers' Union of Canada and the Promulgation of Canadian Literary Papers - Erin Ramlo
Section Three: Memories From Below and Beyond the Border
11. The Vietnam Resisters Who Shaped Canada's Ceramic Heritage - Mary Ann Steggles
12. Who Can Tell? Histories and Counter-Histories of Photography in Canada - Martha Langford
13. Who Gets Remembered? Gender, Art, & Canadian Identity in the Early 20th Century - Brian Foss and Jacques Des Rochers
14. German Internment Camps in the Maritimes: Another Untold Story in P.S. Duffy's The Cartographer of No Man's Land - Jennifer Andrews
Section Four: Rhetorical Renegotiations
15. The Story Behind the Story, or the Untold Story?: John Coulter's Perceptions of a Canadian Tragic Hero, Louis Riel - Krisztina Kodó
16. Supra Legem Interruptio: Losing Louis Riel (and His Interruptive Return) - Gregory Betts
17. Thomas D'Arcy McGee (1825-1868) and Louis Riel (1844-1885): Minority Nationalists, Extreme Moderates - Margery Fee
18. Before Secret Path: Residential School Memoirs from the 1970s - Linda Warley
Conclusion: Still Here - Kim Anderson and Rene Meshake
Contributors
Kim Anderson (Cree-Métis; University of Guelph, ON)
Jennifer Andrews (University of New Brunswick, Fredericton, NB)
Benjamin Authers (Flinders University)
Gregory Betts (Brock University, St. Catherines, ON
Jacques Des Rochers (Montreal Museum of Fine Arts, QC)
Kit Dobson (Mount Royal University, Calgary, AB)
Margery Fee (University of British Columbia, Vancouver, BC)
Brian Foss (Carleton University, Ottawa, ON)
Libe García Zarranz (Norwegian University of Science and Technology, Trondheim, Norway)
Sarah Henzi (Simon Fraser University, Vancouver, BC)
Krisztina Kodó (Kodolányi University of Applied Sciences, Hungary)
Martha Langford (Concordia University, Montreal, QC)
Rene Meshake (Anishnaabe, Guelph, ON)
Shani Mootoo (independent writer, Toronto, ON)
Linda M. Morra (Bishop's University, Sherbrooke, QC)
Laura Moss (University of British Columbia, Vancouver, BC)
Erin Ramlo (McMaster University, Hamilton, ON)
Deanna Reder (Cree-Métis; Simon Fraser University, Vancouver, BC)
Alix Shield (Simon Fraser University, Vancouver, BC)
Mary Ann Steggles (University of Manitoba, Winnipeg, MB)
Kailin Wright (St. Francis Xavier University, Antigonish, NS)
Linda Warley (University of Waterloo, ON)
Erin Wunker (Dalhousie University, Halifax, Nova Scotia)

Linda M. Morra is a settler scholar and Full Professor at Bishop's University, and a former Craig Dobbin Chair (2016-2017). Her book Unarrested Archives, was a finalist for the Gabrielle Roy Prize in 2015. She prepared Jane Rule's posthumously published memoir, Taking My Life, which was a Lambda Literary Award finalist in 2011.
Sarah Henzi is a settler scholar and Assistant Professor of Indigenous Literatures in the Department of French and the Department of Indigenous Studies at Simon Fraser University. She is the translator of I Am a Damn Savage; What Have You Done to My Country? by An Antane Kapesh (WLU Press, 2020).

On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada's sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed.