Edited by Ian Henderson and Anouk Lang

Introduction (Ian Henderson); Part I. Resurrected Papers; 1. The Evidence of the Archive (Margaret Harris and Elizabeth Webby); 2. Leichhardt and 'Voss' Revisited (Angus Nicholls); Part II. Many in One; 3. White's London (David Marr); 4. Elective Affinities: Manning Clark, Patrick White and Sidney Nolan (Mark McKenna); 5. 'Dismantled and Reconstructed': 'Flaws in the Glass' Re-Visioned (Georgina Loveridge); 6. Patrick White's Late Style (Andrew McCann); Part III. The Performance of Reading; 7. Patrick White's Expressionism (Ivor Indyk); 8. The Doubling of Reality in Patrick White's 'The Aunt's Story' and Paul Schreber's 'Memoirs of My Nervous Illness' (Aruna Wittman); 9. Desperate, Marvellous Shuttling: White's Ambivalent Modernism (Gail Jones); 10. 'Time And Its Fellow Conspirator Space': White's 'A Fringe of Leaves' (Brigid Rooney); Part IV. Queer White; 11. Knockabout World: Patrick White, Kenneth Williams and the Queer Word (Ian Henderson); 12. Queering Sarsaparilla: Patrick White's Deviant Modernism (Anouk Lang); Contributors; Index

Patrick White (1912-1990) won the Nobel Prize for Literature in 1973 and remains one of Australia's most celebrated writers. This book represents new work by an outstanding list of White scholars from around the globe. White's centenary revived mainstream interest in White in Australia and included a major exhibition on his life at the National Library of Australia. So too did the discovery of a highly significant hoard of hitherto unknown papers which were released by White's literary executor Barbara Mobbs in 2006. The book aims to carry this momentum outwards to the rest of the world.

The contributors' research is lodged in forwards-oriented methodologies and expressed in accessible language. On the whole, the collection is notable for its acknowledgement of White's homosexuality in relation to the development of his literary style, in its consideration of the way his writing 'works' on/with readers, and for its contextualizing of his life and oeuvre in relation to London and to London life.

The title of the book reflects the effect on White scholarship of the newly discovered papers, the focus of numerous chapters on the farcical and 'knockabout' qualities of White's work, and the contributors' intention to inspire further work on White from a rising generation of scholars of twentieth-century literature beyond Australia.