In 2020 the former Women's Press editor and literary critic Sarah LeFanu published her group biography of three British writers and their travels to South Africa in the closing days of the Victorian era, Something of Themselves: Kipling, Kingsley, Conan Doyle and the Anglo-Boer War, which was shortlisted for the Elizabeth Longford Prize for Historical Biography.
Talking to the Dead: Travels of a Biographer is a journal that covers the five years (2015-2020) of her research and writing, taking her from libraries and archives in England to old battle sites in South Africa, and recording her conversations with the living and the dead. Talking to the Dead is about South Africa then and now, about Britain then and now, about imperialism and the beginning of its end, about the biographical process, and also, intertwined with these subjects, about the experience of living with the painful chronic condition polymyalgia rheumatica.
For life writers, for lovers of historical biography, for all readers of Rudyard Kipling, Mary Kingsley and Arthur Conan Doyle.
Praise for Something of Themselves:
'a splendidly well-written page-turner ... a classic' - Jan Montefiore
'brilliantly insightful' - Lara Feigel
'highly original, thought-provoking ... sensitive, multi-layered' - Saul David

Sarah LeFanu's books include 'Despatches from the Frontiers of the Female Mind' (co-editor) (1986), 'In the Chinks of the World Machine: Feminism and Science Fiction' (1988), 'Rose Macaulay: A Biography' (2003) and its companion volume, 'Dreaming of Rose: A Biographer's Journal' (2013 & 2021), 'S is for Samora: A Lexical Biography of Samora Machel and the Mozambican Dream' (2012) and 'Something of Themselves: Kipling, Kingsley, Conan Doyle and the Anglo-Boer War' (2020), which was shortlisted for the 2021 Elizabeth Longford Prize for Historical Biography.Throughout the 1980s Sarah was an editor at The Women's Press, and was responsible for their ground-breaking feminist science fiction list. From the 1990s until recently she has been a part-time tutor at the University of Bristol, and she is also an RLF Writing Fellow. From 2004 to 2009 she was Artistic Director of the Bath Literature Festival. She lives in North Somerset, and regularly chairs events for the Bristol Festival of Ideas, the Bristol Women's Literature Festival and the Wells Literature Festival, of which she is an Associate. She blogs on films at www.filmwatchingwomen.wordpress.com.