Kenji Mizoguchi's masterpiece Sanshô Dayû (1954) retells a classic Japanese folktale about an eleventh-century feudal official forced into exile by his political enemies. In his absence, his children fall under the corrupting influence of the malevolent bailiff Sansho. In their study of the film, film scholar Dudley Andrew and Japanese literature professor Carole Cavanaugh highlight the cultural, aesthetic and social contexts of this film which is at once rooted in folk legend and a modern artwork released in the aftermath of World War II. This edition includes a new foreword by the authors in which they consider the film's contemporary parallels in modern slavery and children torn from their families by malevolent authorities.

Dudley Andrew is the R. Selden Rose Professor of Comparative Literature and Professor of Film Studies at Yale University, USA, and Carole Cavanaugh is Professor of Japanese Studies at Middlebury College, USA.

Foreword to the 2020 edition
Preface
Synopsis
Sanshô Dayû and the overthrow of history: Carole Cavanaugh
Mizo Dayû: Dudley Andrew
Notes
Credits
Bibliography