Eglal Doss-Quinby, Roberta L. Krueger, E. Jane Burns

Introduction
La poésie comme récit - Michel Zink
Colin Muset and Performance - Samuel N. Rosenberg
Subtilitas and Delectatio: Ne m'a pas oublié - Edward H. Roesner
"Flables couvertes": Poetry and Performance in the Fifteenth Century - Jane H. M. Taylor
Intimate Performance: An Ivory Writing Tablet Cover at The Cloisters - Mark Cruse
A Cultural Performance in Silk: Sebelinne's aumousniere in the Dit de l'Empereur Constant - E. Jane Burns
Acting Like a Man: Performing Gender in Tristan de Nanteuil - Kimberlee Campbell
Amorous Performances: The Aventure de l'espee vermeille in Perceforest - Sylvia Huot
Historicizing Performance: The Case of the Jeu de Robin et Marion - Ardis Butterfield
The Protean Performer: Defining Minstrel Identity in Tristan Narratives - Marilyn Lawrence
Performing Vernacular Literature in Monastic Culture: The lectio divina in Gautier de Coinci's Miracles de Nostre Dame - Kathryn A. Duys
Performative Reading: Experiencing through the Poet's Body in Guillaume de Digulleville's Pèlerinage de Jhesucrist - Pamela Sheingorn
Performative Reading: Experiencing through the Poet's Body in Guillaume de Digulleville's Pèlerinage de Jhesucrist - Robert L. A. Clark
The Anglo-Norman Office of the Cross in the Lichtenthal Psalter - Lucy Freeman Sandler
"Laver de ses pechiés une pecheresse royale": Psalm Collects in an Early Fourteenth-Century Devotional Book - Elizabeth A R Brown
Dramatic Troubles of Ecclesia: Gendered Performances of the Divided Church - Renate Blumenfeld-Kosinski
Preaching the Sins of the Ladies: Nicole Bozon's "Char d'Orgueil" - Laurie Postlewate
Making Names, Breaking Lives: Women and Injurious Language at the Court of Isabeau of Bavaria and Charles VI - Helen Solterer
Performing the Nation: The Play Performed at the Great Feast in Christine de Pizan's Biography of Charles V - Lori J. Walters
Variegated Performance of Aucassin et Nicolette - Evelyn Birge Vitz
Late Medieval Representations of Storytelling and Story-Performance - Kathleen A. Loysen
Paratextual Performances in the Early Parisian Book Trade: Antoine Vérard's Edition of Boccaccio's Nobles et cleres dames [1493] - Cynthia J. Brown
"Resuscitating" Medieval Literature in New York and Paris: La femme que Nostre-Dame garda d'estre arse at Yvette Guilbert's School of Theatre, 1919-241919-24 -
The Pitfalls and Promise of Classroom Performance - Matilda Tomaryn Bruckner
"Dunc chante haut et cler": remarques sur l'interprétation de la musique médiévale - Anne Azéma