Bültmann & Gerriets
Analysing Popular Music
Image, Sound and Text
von David Machin
Verlag: Sage Publications Ltd
Hardcover
ISBN: 978-1-84860-023-2
Erschienen am 15.03.2010
Sprache: Englisch
Format: 240 mm [H] x 171 mm [B] x 18 mm [T]
Gewicht: 417 Gramm
Umfang: 240 Seiten

Preis: 50,50 €
keine Versandkosten (Inland)


Jetzt bestellen und voraussichtlich ab dem 30. Oktober in der Buchhandlung abholen.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Klappentext
Biografische Anmerkung
Inhaltsverzeichnis

Electronic Inspection Copy available for instructors
Popular music is far more than just songs we listen to; its meanings are also in album covers, lyrics, subcultures, voices and video soundscapes. Like language these elements can be used to communicate complex cultural ideas, values, concepts and identities.

Analysing Popular Music is a lively look at the semiotic resources found in the sounds, visuals and words that comprise the 'code book' of popular music. It explains exactly how popular music comes to mean so much. Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers.

Written for students with no prior musical knowledge, Analysing Popular Music is the perfect toolkit for students in sociology, media and communication studies to analyse, understand - and celebrate - popular music.



David Machin is Lecturer in the Department of Media and Communication at the University of Leicester. He is co-editor of the journal Social Semiotics and has written five other books, including Introduction to Multimodal Analysis (Hodder, 2007), and News Production (Routledge, 2006), as well as co-editing the Media Audiences major work with Barrie Gunter.



Introduction
Discourses of Popular Music
Album Iconography: Postures, Objects, Settings
Visual Composition: Typeface and Colour
Analyzing Lyrics: Values, Participants, Agency
Semiotic Resources in Sound: Pitch, Melody and Phrasing
Sound Qualities: Arrangement and Rhythm
Analyzing Genre: The Sounds of Britpop
Analyzing Music in Film
Analyzing Music in Video and Television
Conclusion


andere Formate