Dr Thomas A. Christie is a Scottish author with research interests in popular culture, literary analysis, interactive fiction and modern cinema. His books include "John Hughes and Eighties Cinema: Teenage Hopes and American Dreams", "Mel Brooks: Genius and Loving It!", "The James Bond Movies of the 1980s", and "Notional Identities: Ideology, Genre and National Identity in Popular Scottish Fiction Since the Seventies".
Tom has many years of experience as a literary professional, working in collaboration with several publishing companies including Cambridge Scholars Publishing, Crescent Moon Publishing and Robert Greene Publishing. His full-length works to date have focused upon subjects such as cinema history and literary criticism, as well as the production of original prose fiction.
A passionate advocate of the written word and literary arts, over the years Tom has produced original writing for respected organisations such as the Stirling Smith Art Gallery and Museum and the Dementia Services Development Centre, a leading independent higher education research unit based at the University of Stirling. Additionally, he is regularly involved in public speaking events and has delivered guest lectures and presentations about his work at many locations around the United Kingdom.
Tom holds a PhD in English Studies, on the subject of Scottish Literature, from the University of Stirling. He has also been awarded a first-class Honours degree in Literature and a Master's degree in Humanities, specialising with distinction in British cinema history, from the Open University in Milton Keynes.
For more details about Tom and his work, please visit his website at www.tomchristiebooks.co.uk.

Mel Brooks: Genius and Loving It
Freedom and Liberation in the Cinema of Mel Brooks
by Thomas A. Christie
Beloved by his fans and equally praised and derided by the critics many times throughout his long career, Mel Brooks is a creative polymath, a comic talent to be reckoned with - influential, fearless and totally unafraid of his detractors. Yet whether you admire his work or not, one thing remains absolutely certain: this larger-than-life character is a very difficult man to ignore.

Mel Brooks has been immortalised as the definitive maestro of big-screen bad taste, a pioneer of the cinematic spoof (and very influential, too - you can see Brooks' influence in many places today). But throughout his film-making career, his ardent championship of personal liberty is too often neglected. Examining all eleven of the movies that Brooks directed, from The Producers (1968) to Dracula: Dead and Loving It (1995), this book examines the way that this most distinctive of cinematic visionaries came to earnestly and vigourously defend freedom in all of its forms, whether creative, individual, social, cultural or political.

As well as famous films like The Producers ('If you've got it, flaunt it, baby!'), Blazing Saddles, Young Frankenstein ('Frankenstein?' 'Fronkensteen'), this book also looks at lesser-known Brooks movies such as 12 Chairs, Silent Movie and Life Stinks.

Includes a detailed filmography, movie statistics, examples of critical opinions, a guide to further reading, and a bibliography.

Fully illustrated, with stills from all of Mel Brooks' movies.

ISBN 9781861715104. 404 pages. www.crmoon.com

'Thomas Christie's scholarship is as always immaculate. Full marks to him for another informative, well written and erudite guide to a neglected director and episode of film history.'

(Review of John Hughes and Eighties Cinema)

Douglas J. Allen (Lecturer in Social Sciences, Motherwell College)