Lynne Tillman is a novelist, short story writer, and cultural critic. Her novels are Haunted Houses; Motion Sickness; Cast in Doubt; No Lease on Life, a finalist for the National Book Critics Circle Award; American Genius, A Comedy; and Men and Apparitions. Her nonfiction books include The Velvet Years: Warhol¿s Factory 1965¿1967, with photographs by Stephen Shore; Bookstore: The Life and Times of Jeannette Watson and Books & Co.; and What Would Lynne Tillman Do?, a finalist for the National Book Critics Circle Award in Criticism. Her most recent short story collections are Someday This Will Be Funny and The Complete Madame Realism. She is the recipient of a Guggenheim Foundation Fellowship and an Andy Warhol/Creative Capital Arts Writing Fellowship. Tillman is Professor/Writer-in-Residence in the Department of English at The University of Albany and teaches at the School of Visual Arts¿ Art Criticism and Writing MFA Program in New York. She lives in Manhattan with bass player David Hofstra.

The New York of Lynne Tillman's hilarious, audacious fourth novel is a boiling point of urban decay.
The East Village streets are overrun with crooked cops, drug addicts, pimps and prostitutes. Garbage piles up along the sidewalks amid the blaring soundtrack of car stereos. Confrontations are supercharged by the summer heat wave. This merciless noise has left Elizabeth Hall an insomniac. Junkies roam her building and overturn trashcans, but the mean-spirited landlord refuses to help clean or repair the decrepit conditions. Live-in boyfriend Roy is good-natured but too avoidant to soothe the sores of city life.
Though Elizabeth fights on for normalcy and sanity in this apathetic metropolis, violent fantasies threaten to push her over the edge. In vivid detail, she begins to imagine murders: those of the "morons" she despises, and, most obsessively, her own.
Frightening, hilarious, and wholly addictive, "No Lease on Life" is an avant-garde sucker-punch, a plea for humanity propelled by dark wit and unflinching honesty. Tillman's spare prose, frank, poignant and always illuminating, captures all the raving absurdity of a very bad day in America's toughest, hottest melting pot.