Examines the growth of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi looks at the application of feminist theory, photojournalism, advertising, photo montage, punk subculture, and politicized street activity to emphasize the statement and challenge that the photographic language of these works posed.

Na'ama Klorman-Eraqi is a lecturer in the art history department at Tel Aviv University in Israel.

Contents
List of Illustrations
1          Introduction     
2          Feminist Photography and the Media            
3          Photography and the Street / Feminist Documentary              
4          Entering the Museum            
5          Conclusion and Afterthoughts 
Acknowledgments     
Notes
Bibliography  
Index