Bültmann & Gerriets
Vernacular Aesthetics in the Later Middle Ages
Politics, Performativity, and Reception from Literature to Music
von Katharine W. Jager
Verlag: Springer International Publishing
Reihe: Progress in Mathematics
Reihe: The New Middle Ages
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ISBN: 978-3-030-18334-9
Auflage: 1st ed. 2019
Erschienen am 03.07.2019
Sprache: Englisch
Umfang: 312 Seiten

Preis: 117,69 €

Biografische Anmerkung
Inhaltsverzeichnis

Katharine W. Jager is a poet and medieval scholar.  She is Associate Professor of English at the University of Houston-Downtown, USA, and has published essays on medieval aesthetics, the masculine performativity of chivalric speech acts, onomatopoeia and multimodality in alliterative verse, and aurality in late medieval English poetry, among other subjects.



Introduction. 1-23



Section I. The Peasants' RebellioN As SENSORY event.


Chapter 1,


"The Weight of Experience: John Gower and the Peasants' Revolt"


Joel D. Anderson .........................................................................................................



Chapter 2,


"'Stonde Manlyche togedyr in Trewthe': Lyric and Rebellion Among Late Medieval Men"


Katharine W. Jager.



Chapter 3, "On Bells and Rebellion: The Auditory Imagination and Social Reform, Medieval and Modern"


Adin Lears.



Section II. AESTHETIC RECEPTION: Music and the Multimodal manuscript..



Chapter 4,


"High or Low?: Medieval English Carols as Part of Vernacular Culture, 1380-1450"


Lisa Colton and Louise Mcinnes.



Chapter 5,


"Rethinking the Passion Lyric: Verbal Devotion, Narrative Variation, and the Poetics of Comfort in Middle English Poetry"


Barbara Zimbalist....................................................................................................



Chapter 6,


"Multimodality and Memory in the Mise-en-page of Guillaume de Machaut's Mass"


Kate Maxwell.


Chapter 1, Introduction: Past Vernaculars: The Aesthetic and the Everyday

Katherine W. Jager

SECTION I: THE PEASANTS' REBELLION AS SENSORY EVENT

Chapter 2,

"The Weight of Experience: John Gower and the Peasants' Revolt"

Joel D. Anderson

Chapter 3,

"'Stonde Manlyche togedyr in Trewthe': Lyric and Rebellion Among Late Medieval Men"

Katharine W. Jager

Chapter 4, "On Bells and Rebellion: The Auditory Imagination and Social Reform, Medieval and Modern"

Adin Lears

Section II. AESTHETIC RECEPTION: Music and the Multimodal manuscript.

Chapter 5,

"High or Low?: Medieval English Carols as Part of Vernacular Culture, 1380-1450"

Lisa Colton and Louise Mcinnes

Chapter 6,

"Rethinking the Passion Lyric: Verbal Devotion, Narrative Variation, and the Poetics of Comfort in Middle English Poetry"

Barbara Zimbalist....................................................................................................

Chapter 7,

"Multimodality and Memory in the Mise-en-page of Guillaume de Machaut's Mass"

Kate Maxwell

Section III. Vernacular Practice: Alchemy, Aesthetics, Affect

Chapter 8,

"Alchemical Language: Latin and the Vernacular in the Poetry of Thomas Norton and John Gower"

David Hadbawnik

Chapter 9,

"Vernacular 'Makynge,' Jack Upland, and the Aesthetics of Antfraternalism

Noëlle Phillips

Chapter 10,

"Read It and Weep: Affective and Literate Engagement in Richard Rolle's Meditations and The Book of Margery Kempe"

Jessica Barr


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