Emelia Quinn is a DPhil candidate and Wolfson Foundation scholar in the Faculty of English Literature and Language at the University of Oxford, UK. Her thesis establishes a transhistorical and transnational trajectory of literary veganisms, from the early nineteenth century to the present. She has previously published in The Journal of Commonwealth Literature and Society & Animals, with research interests across veganism, animal studies, and queer theory.

Benjamin Westwood is Departmental Lecturer in the Faculty of English Literature and Language at the University of Oxford, UK, and is finishing a thesis on animals and the intersections of classification and literary form in Victorian literature. He recently contributed an essay to an edited collection, Bathroom Songs: Eve Kosofsky Sedgwick as a Poet (2017), and has an essay on "Edward Lear's Dancing Lines" forthcoming in Essays in Criticism.

¿Introduction: Thinking Through Veganism

Emelia Quinn and Benjamin Westwood

Part I Politics

Vegans in the Interregnum: The Cultural Moment

of an Enmeshed Theory

Laura Wright

Part II Visual Culture

Remnants: The Witness and the Animal

Sara Salih

The Vegan Viewer in the Circum-Polar World; Or, J. H.

Wheldon's The Diana and Chase in the Arctic (1857)

Jason Edwards

Trojan Horses

Tom Tyler

Contents

Vegan Cinema

Anat Pick

Part III Literature

Monstrous Vegan Narratives: Margaret Atwood's

Hideous Progeny

Emelia Quinn

On Refusal

Benjamin Westwood

The Unpacking Plant: Gleaning the Lexicons of Lean Culture

Natalie Joelle

Part IV Definitions

Ethical Veganism as Protected Identity: Constructing

a Creed Under Human Rights Law

Allison Covey

A Vegan Form of Life

Robert McKay

Conclusion

Emelia Quinn and Benjamin Westwood

Index

This collection explores what the social and philosophical aspects of veganism offer to critical theory. Bringing together leading and emerging scholars working in animal studies and critical animal studies, Thinking Veganism in Literature and Culture shows how the experience of being vegan, and the conditions of thought fostered by veganism, pose new questions for work across multiple disciplines. Offering accounts of veganism which move beyond contemporary conceptualizations of it as a faddish dietary preference or set of proscriptions, it explores the messiness and necessary contradictions involved in thinking about or practicing a vegan way of life. By thinking through as well as about veganism, the project establishes the value of a vegan mode of reading, writing, looking, and thinking.