Shirley Perrigny, the heroine of A Fairly Good Time, is an original. Derided by the Parisians she lives among and chided by her fellow Canadians, this young widow--recently remarried to a French journalist named Philippe--is fond of quoting Jane Austen and Kingsley Amis and of using her myopia as a defense against social aggression. As the fixed points in Shirley's life begin to recede--Philippe having apparently though not definitively left--her freewheeling, makeshift, and self-abnegating ways come to seem an aspect of devotion to her fellow man. Could this unreliable protagonist be the unwitting heroine of her own story?