Preface; Acknowledgements; Prelude; PART I; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Chapter 9; Chapter 10; Chapter 11; PART II; A Brief Interlude: Black Magic; Chapter 12; Chapter 13; Chapter 14; Chapter 15; Chapter 16; Chapter 17; Chapter 18; Chapter 19; Chapter 20; Chapter 21; Chapter 22; PART III; Another Brief Interlude: Graveyard Dirt; Chapter 23; Chapter 24; Chapter 25; Chapter 26; Chapter 27; Chapter 28; Chapter 29; Chapter 30; Chapter 31; Chapter 32; Chapter 33; Chapter 34; Chapter 35; Chapter 36; Chapter 37; Chapter 38; Chapter 39; Chapter 40; Chapter 41; Chapter 42; PART IV; Another Interlude: There are No Zombies, only Butterflies; Chapter 43; Chapter 44; Chapter 45; Chapter 46; Chapter 47; Chapter 48; Chapter 49; Chapter 50; Chapter 51; Chapter 52; Chapter 53; Chapter 54; Chapter 55; Chapter 56; Chapter 57; Chapter 58; Haiti: The Epilogue; Appendix; Author's Note; Facts; References; About the Author.

Professor Delta Quinn teams with investigative reporter Caleb Barthes to unravel the mystery of the zombie seed, the genetically-modified follow-up to the "terminator seed." This fact-based fiction is an academic novel that relies on fast-paced action as well as theoretical insights. Using the cultural icon of the zombie to address work alienation and contemporary apathy is perfect for the purposes of having the reader examine corporate greed in a global world. The cast of characters brings this global aspect to life. In the backdrop of the novel, a history of the zombie unfolds-a history of the violence that Haiti and African diaspora have suffered. Yet, it is Delta's research into narratives of partner abuse that lead her to grapple with her own tragic past and take brave steps toward ending the abuse of others. This social justice book is based on award-winning research in rhetorical ethnography and is being assigned for courses in rhetoric, ethnography, narrative, organizational communication, and diversity, but would fit with others (e.g., ethics, interpersonal, public relations, journalism, sociology, philosophy) where examining the individual's role in the life-world is not only promoted but expected. If the novel doesn't do it, then the facts found at the end of the book should "wake up" any remaining zombies.
Robin Patric Clair is a Full Professor, Diversity Fellow and a Fellow to the Center of Creative Endeavors at Purdue University. She has won research awards in rhetoric, narrative, ethnography and organizational communication, including two 'Outstanding Book of the Year' awards, two 'Best Research Article of the Year' awards, the 'Golden Anniversary Award' and multiple 'Top Paper' Awards for her research.