Bültmann & Gerriets
God's Trombones
Seven Negro Sermons in Verse
von James Weldon Johnson
Verlag: Mint Editions
Gebundene Ausgabe
ISBN: 9798888976364
Erscheint am 22.10.2024
Sprache: Englisch
Umfang: 52 Seiten

Preis: 19,50 €
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Klappentext
Biografische Anmerkung

From the creator of the Black National Anthem, James Weldon Johnson, comes a tribute to African American religious expression and history with God's Trombones: Seven Negro Sermons in Verse. Featuring seven free-verse biblically inspired poems, this critically acclaimed collection celebrates the rhythm, heart, and soul of the Black preacher and his church.



James Weldon Johnson (1871-1938) was an African American writer and civil rights activist. Born in Jacksonville, Florida, he obtained an education from a young age, first by his mother, a musician and teacher, and then at the Edwin M. Stanton School. In 1894, he graduated from Atlanta University, a historically black college known for its rigorous classical curriculum. With his brother Rosamond, he moved to New York City, where they excelled as songwriters for Broadway. His poem "Lift Ev'ry Voice and Sing" (1899), set to music by Rosamond, eventually became known as the "Negro National Anthem." Over the next several decades, he dedicated himself to education, activism, and diplomacy. From 1906 to 1913, he worked as a United States Consul, first in Puerto Cabello, Venezuela, and then in Nicaragua. He married Grace Nail, an activist and artist, in 1910, and would return to New York with her following the end of his diplomatic career. While in Nicaragua, he wrote and anonymously published The Autobiography of an Ex-Colored Man (1912), a novel exploring the phenomenon of racial passing. In 1917, Johnson began his work with the NAACP, eventually rising to the role of executive secretary. He became known as a towering figure of the Harlem Renaissance, writing poems and novels as well as compiling such anthologies as The Book of American Negro Poetry (1922). For his contributions to African American culture as an artist and patron, his activism against lynching, and his pioneering work as the first African American professor at New York University, Johnson is considered one of twentieth century America's leading cultural figures.